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U.F.O. (2011)

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Ditto

September 21, 2012 2:20 am

Modern Korean Cinema

One of the recurring motifs in Korean cinema is the representation of repressed trauma. Whether as a lazy deus ex machina in a rote romcom or the underlying social agenda of an auteurist prestige pic, it never seems to be far from the surface. It’s prevalence in the country’s film industry is in itself an ...

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